francesca ekwuyasi
Burnt Sugar Blue
Exhibition available during Gallery hours:
Thursday, September 10th – Sunday, November 8th
Exhibition Opening Reception
Thursday, September 10th | 6:00 PM
Dalhousie Art Gallery
A Night with Prismatic
Thursday, October 1st | 6:30 PM
Dalhousie Art Gallery
Co-presented with

francesca ekwuyasi is a learner, artist, and storyteller born in Lagos, Nigeria. She was awarded the Writers’ Trust Dayne Ogilvie Prize for LGBTQS+ Emerging Writers in 2022 for her debut novel, Butter Honey Pig Bread (Arsenal Pulp Press, 2020). The novel was also a finalist for a Lambda Literary Award, the Governor General’s Literary Award for Fiction, and the Amazon Canada First Novel Award and longlisted for the Scotiabank Giller Prize and the Dublin Literary Award. CBC’s Canada Reads, an annual “Battle of the Books,” selected Butter Honey Pig Bread, as one of the five contenders in 2021 for “the one book that all of Canada should read.” Championed by Roger Mooking, the book made it to the grand finale, where it placed second.
Christina Leslie, Hope and Present Chapter: Free, 2021. From the series “Sugar Coat”. Pigment print on sugar cane paper, Courtesy of the Artist and Stephen Bulger Gallery.
Burnt Sugar Blue
Burnt Sugar Blue brings together the work of four contemporary artists: Stina Baudin, Adama Delphine Fawundu, Bushra Junaid, and Christina Leslie. These artists’ distinct practices examine the intertwined histories of the Black Atlantic through photography, installation, textiles, print, and mixed media. Curated by writer and artist francesca ekwuyasi, the exhibition concerns itself with how materials become repositories of memory, carrying histories of migration, labour, displacement, survival, liberation, and creativity across the Black Atlantic. Through personal and collective archives, the artists reveal how ancestral knowledge continues to shape contemporary understandings of identity, place, and belonging.
The exhibition takes its title from two powerful materials. “Burnt sugar” evokes the histories of sugar production, enslavement, labour, and the movement of people and goods across the Atlantic. “Blue” references indigo, a dye whose own history is deeply connected to global trade, colonial economies, cultural knowledge, and resistance. Together, these materials become points of departure for artistic practices that reflect on histories of extraction while imagining new forms of connection, care, repair, and liberation. Rather than presenting a singular historical narrative, Burnt Sugar Blue considers the archive as something living and continually reimagined, transforming inherited histories into spaces of resilience, remembrance, and creative possibility.
