Akpik Theatre 
A community telling of Pawâkan Macbeth

Tuesday, October 3rd – Saturday, October 7th | 7:30PM
Sunday, October 8th | 2PM
Neptune Theatre Scotiabank Stage

Co-presented with

Akpik Theatre was founded in 2008 by Reneltta Arluk. The company adheres to its namesake, the cloudberry, striving to flourish in the northern climate it reflects. Akpik Theatre develops stories of the circumpolar, whether oral tradition or contemporary inspiration, into dynamic professional theatre productions. They encourage and mentor the development of Indigenous stories, preferably within but not limited to northern communities, with the potential of adapting these stories for live performance. In addition to presenting professional northern and/or Indigenous scripts for local, national, and international audiences, engaging actors, and theatre professionals from the north and across Canada, Akpik Theatre produces live/audio/film productions that inhabit at least one of these qualities.

A community telling of Pawâkan Macbeth

The groundbreaking Pawâkan Macbeth is Indigenous playwright, Reneltta Arluk’s reimagining of Shakespeare’s darkest play into Cree history, legend, and cosmology. Set in Plains Cree territory in the 1870s, before the establishment of First Nations reserves, Pawâkan Macbeth takes place in a time when First Nations warred with each other and the Canadian Government over territory, food supply, and trade. Harsh environments brought immense fear, starvation, and uncertainty together to awaken the darkest of Cree spirits, the Wihtiko – an evil being with an insatiable appetite for human flesh.

Inspired from stories shared by Indigenous Elders in Frog Lake First Nation following protocol, Arluk has created a new, visceral experience of Macbeth; a convergence of Shakespeare’s language, modern English, and Plains Cree. As historical wars are waged with the Cree and Nakoda against the Blackfoot, Macikosisân (Macbeth), a great Okihcitâw (Warrior), becomes consumed by the cannibal spirit Wihtiko. He plots with Kâwanihot Iskwew (Lady Macbeth), to kill their Chief, Okimâw Wîpâstim (Duncan). Pawâkan Macbeth is a terrifying journey through love, greed, honour and betrayal, with trickster beings that lie like truth.

Personnel

Mallory Amirault
JD Montgrand
Lisa Nasson
Mitchell Saddleback
Spencer Streichert
čačumḥi – aaron wells

Reneltta Arluk | Director & Playwright; Producer
Barry Balinsky | Associate Director
Patricia Vinluan | Stage Manager
Darlene Auger | Knowledge Keeper & Language Consultant
Jhaik WindyHair | Knowledge Keeper
Nathan Loitz | Fight Director 
Logan Martin-Arcand | Costume Designer
Cimmeron Meyer | Set Designer 
Carmen Braden | Sound Designer
Brad Trenaman | Lighting Designer 
Cody Clyburn | Technical Director 
Tallis Kirby | Production Manager
Holly Gunderman | Tour Coordinator & Administrator 
Elena Vandakurova | Costume Maker
Chris Hayes | Head Carpenter
GNW Scene Shop | Production Support

Please be aware that this play involves: mild coarse language, mature themes including depictions of grotesque violence and self-harm, childbirth and postpartum, infanticide and environmental haze. 

The cast and company will be using medicine to smudge in the theatre privately before and after performances. 
 
Latecomers will be admitted into the show up until 20 minutes of the show run.

Patrons can enter / exit as needed throughout the show. There will be a quiet space available at all performances.
 

If you have any questions, please reach out to us at info@prismaticfestival.com.

Photo credits: Donald Lee, The Banff Centre