Masterclasses

Verbatim Theatre: Acts of Community

Monday, October 5th – Friday, October 9th, 2026

2nd Years: Oct 5th & Oct 7th | 1:35 PM – 3:55 PM
3rd Years: Oct 5th & Oct 7th | 10:05 AM – 12:25 PM
4th Years: Oct 6th & Oct 8th | 2:35 PM – 4:55 PM
Final Lecture: Oct 9th | 1:00 PM – 2:30 PM

Dalhousie Arts Centre – Studio 2
Open to FSPA Students 

Verbatim theatre begins with real conversations, by interviewing people and building a performance from their words. The dialogue you hear is not imagined. It is created from what people actually said. It is like watching a documentary on stage, with room for humour, emotion, and surprise. Every performance becomes a way to listen to each other, reflect on what is shared, and hold space for difference.

Playwrights Yvette Nolan and Joel Bernbaum lead this masterclass exploring the unique process of creating verbatim theatre.

Yvette Nolan 
(co-facilitator)

Yvette Nolan (Algonquin) is a playwright, director and dramaturg. Her plays include The Unplugging, Annie Mae’s Movement, The Birds, The Diviners (with Vern Thiessen), The Art of War. She also works in opera, as the librettist and co-director of Shanawdithit, the librettist of Sophia, and the director of Indians on Vacation. She co-created, with Joel Bernbaum and Lancelot Knight, the verbatim play Reasonable Doubt, about relations between Indigenous and non-Indigenous communities in Saskatchewan. She recently directed the world premieres of Matt Mackenzie’s Strife in Toronto, Donna-Michelle St. Bernard’s The First Stone in Toronto and Ottawa, The Flood, by Leah Simone Bowen, and Mizushobai by Julie Tamiko Manning, both in Montreal, as well as the Stratford and Globe productions of Frances Koncan’s Women of the Fur Trade. She is currently working on the National Climate Play with Joel Bernbaum, which will premiere in Victoria at the Belfry’s Spark Festival in 2027. From 2003-2011, she served as Artistic Director of Native Earth Performing Arts, Canada’s oldest professional Indigenous theatre company. Her book, Medicine Shows, about Indigenous performance in Canada was published by Playwrights Canada Press in 2015, and Performing Indigeneity (co-edited with Ric Knowles) in 2016.

Joel Bernbaum 
(co-facilitator)

Joel Bernbaum is a playwright, director, and journalist. From 2013-2023, he served as the artistic director of Sum Theatre. He is a graduate of the Canadian College of Performing Arts, Carleton University, and the University of Saskatchewan, where his dissertation was about verbatim theatre’s potential to be used as a community development process. Joel’s produced plays include Operation Big Rock, My Rabbi (with Kayvon Khoshkam), Home Is a Beautiful Word, Reasonable Doubt (with Yvette Nolan and Lancelot Knight) and Being Here: The Refugee Project (with Michael Shamata). Joel lives in Saskatoon with his 10-year-old son, Judah.

Visual Poetry: Images Beyond Words

Monday, September 28th | 10:00 AM – 1:00 PM

Dalhousie Arts Centre – Studio 2 

Open to FSPA Students

In this masterclass, visual and object theatre company La Llave Maestra will share their creative research methodology, which is mainly based on the observation of nature and its poetic transposition into the body and movement. Tools from physical theater, dance, somatic techniques, visual arts, theories of play and visual poetry act as a starting point towards the creation of images full of meaning and symbolism. Participants will be trained in this creative process and deepen their practice of physical, visual, and object theatre, including collective physical training, improvisation, and creating an idea with objects, the body and everyday materials.

La LLave Maestra 
(artist facilitators)

La Llave Maestra is a visual and object theatre company that has developed a surprising and suggestive language around materiality and its scenic relationship with the body and gesture as a vehicle for the creation of visual poetry in movement. 

Founded in Pamplona, Spain in 2010 and based in Chile from 2013 to date, La Llave Maestra was born as a space for research and interdisciplinary creation around visual poetry and its enormous capacity to evoke meaning through image, movement and the poetic transformation of objects and materials. Since then, they have created 6 original shows: The Carnival of the Animals, Pareidolia, Nomads, Bestiary, Deliriums of Paper, and Children from Winnipeg. These shows have toured in 20 countries and are constantly present in the programs of theatres, fairs and festivals in America, Europe and Asia.

La Llave Maestra is directed by Edurne Rankin and Álvaro Morales, who have created and directed all of the company’s productions, as well as opera, dance, and circus performances for leading companies in Chile and Spain.

South Asian Classical Dance Aesthetics and Technique

In partnership with Live Art Dance

This class is FREE & no registration is required – just show up!

Thursday, October 1st | 10:00 – 11:30 AM

Halifax Dance

Participants should have previous dance experience.

Taught by award-winning dance artist Bageshree Vaze, this 90-minute class will highlight basic adavus (movements) in the styles of Bharatha Natyam, Kuchipudi and Kathak that combine hand gestures (mudras) and rhythmic language. Participants with a background/training in any dance technique will dance in bare feet and gain an understanding of the full range of movement vocabulary and physicality in the spectrum of South Asian dance styles. The class will culminate in participants learning a combo/routine.

Photo credits: Magdalena M.

Bageshree Vaze 
Instructor

Born in Pune, India but raised in St. John’s, NL, Bageshree Vaze is an Indo-Canadian dance artist, musician, and writer. Bageshree initially trained in Bharatha Natyam at the St. John’s Hindu Temple, and studied vocal music with her father, Damodar Vaze. She later trained in India on scholarships with some of the foremost masters of Indian classical dance and music – Bageshree studied Kathak dance with Jai Kishan Maharaj in New Delhi, and studied vocal music with the renowned Veena Sahasrabuddhe. As a vocalist and composer, Bageshree has 6 CDs to her credit, including Tarana, an album of music for Indian dance, which was released in India by Times Music under the name Khanak. In 2004, Bageshree was named an MTV India ‘rising star’ and in 2010, she was awarded the K.M. Hunter Award in Dance. Bageshree has a Bachelor’s degree in Journalism from Carleton University and a Master’s in Dance from York University. In 2022, Bageshree was named Dance Collection Danse’s inaugural Artist Researcher-in-Residence. Bageshree is the 2022 co-recipient of the Dora Mavor Moore Award for Outstanding Original Sound Composition in the Dance Division.

Tania El Khoury Public Lecture

Presented by NSCAD University

Thursday, September 17th | 7:00 PM

Halifax Central Library – Paul O’Regan Hall

This public lecture is a part of NSCAD’s Visiting Artist Series. Learn more on their website.

Tania El Khoury is a live artist who creates interactive installations and performances that reflect on the production of collective memory and the cultivation of solidarity. Her work is activated by tactile, auditory, and visual materials collected and curated by the artist and her collaborators, ultimately transformed through audience interaction. El Khoury‘s creations engage questions of displacement, border systems, privatization, and the politics of space.